Shit TV at Gallery In New York.

This is the new episode "Shituationism" made for "The Guy Deboard Show" at New Gallery Catalog, New York.

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To celebrate the anniversary of the First Situationist International, Shit TV will be discussing the impact of Situationism on culture and art, interviewing members of the public and members of the private to get their points of view, recreating some of the defining moments of the SI and hanging about in toilets. All the regular Shit TV segments will be featured, such as Shitty Things, Hunt the Dump, Charlotte Talks Shit, and And Now for Something Completely Shit, but with a Debordist bent.


November 19th, the day this episode airs, is also World Toilet Day. Charlotte & Fred are very excited about this.

"Fred/Peace" Painting Exhibited at "Peace Camp" in London 2006.

Artwork from the FRED/PEACE series
shown at the Brick lane Gallery's
"Peace Camp" exhibition 2006.
Acrylic and ink on canvas
200x180cm

Fred and Charlotte Young were also
artists of residence on the opening
and performed as SHIT TV hosts.

Fred painting shown at London Metropolitan degree show.

FREDTRAIT

Painting included in larger installation 2007 at Fred's degree show,
Sir John Cass department of Art
Acrylic on Canvas
Approx. 25x20cm

The Peace with Fred live at "Second Thursdays" event curated by Frog Morris.

Art, music and occasional moments of wit in the Montague Arms, New Cross with Frog Morris, Fred Lindberg, Daren Callow and Victor Mount. Recorded 8th November 2007. Music, comedy and performance art every second Thursday of the month in South East London.

http://www.frogmorris.net/

THE PEACE featuring Fred

"If they say that anyone can be an artist, i say anyone can be a musician!"
Fred

Articles about The (deviant) Art Festival in Magazine and TTela.

(Klick on Image to view larger)

Joanna Ageborn & Fredrik Lindberg's
THE (DEVIANT) ART FESTIVAL 2007
has much coverage in the media as always.
These two articles are in Magazine and TTela.

"Regular Art" Music video by The Peace

Also known as Fred's music Art.

Alterpreconsistancy: The Manifesto

ART To justify artist’s professional, parasitic and elite status in society, He must demonstrate artist’s indispensability and exclusiveness, he must demonstrate the dispensability of audience upon him, he must demonstrate that no one but the artist can do art.	FLUXUS ART-AMUSEMENT To establish artist’s nonprofessional status in society, He must demonstrate artist’s dispensability and inclusiveness, he must demonstrate the selfsufficiency of the audience, he must demonstrate that anything can be art and anyone can do it.	ALTERPRECONSISTANCY To realize artist’s alterprefessional status in society, He must demonstrate partial artistic consistency and elusiveness, he must demonstrate with the audience against art. he must demonstrate that he consists of concepts, and the only thing consistent is the prediction (presence) of death.
Therefore, art must appear complex, pretentious, profound, serious, intellectual, inspired, skillful, significant, theatrical, it must appear to be valuable as commodity so as to provide the artist with an income. To raise its value (artist’s income and patrons profit), art is made to appear rare, limited in quantity and therefore obtainable and accessible only to the social elite and institutions.	Therefore, art-amusement must be simple, amusing, unpretentious, concerned with insignificances, require no skill or countless rehearsals, have no commodity or institutional value. The value of art-amusement must be lowered by making it unlimited, massproduced, obtainable by all. Fluxus art-amusement is the rear-guard without any pretention or urge to participate in the competition of “one-upmanship” with the avant-garde. It strives for the monostructual and nonheatrical qualities of simple natural event, a game or gag. It is the fusion of Spike Jones, Vaudeville, gag, children’s games and Duchamp.	Therefore, alterpreconsistancy is a unique practice without any pretentiousness, concerned only with a severe will to merge art and life, require only self chosen skill and any or none institutional value. The values of being alterpreconsistant must be highlighted by determination and belief in one’s own obtained practice of making art. Alterpreconsistinism is to participate in the competition off enjoyment. It strives to revolt against any elite, including its own. Any game, prank or fusion of artistic styles to spite institutions are highly promoted.

Alterpreconsistancy: The PrePostPhotography Series